(Published in Quamtum Leap, June 2023, 2nd prize winner in Open comp)
THE OPEN FIRE
Little people with high pitched voices
ran around in the flames and a little girl’s mind,
as the cats jostled for position and smiled at the heat.
The morning saw mother on her knees
dabbing a cloth into soft pink grit that danced across the tiles,
and filled my nostrils with a bubblegum scent.
Pink grit in a tin that seemed to last forever,
all part of the morning ritual, that also saw ash decanted
to a galvanised bucket and anything else reused
with kindlin chopped for pocket money
that merged with paper sticks, made with great effort
from yesterday’s Scotsman or the Southern Reporter
A door off the kitchen led straight into the coal house
always dark and cold, where a soot faced strongman
emptied heavy bags, like a landslide
something ominous about the rumble of falling coal
made me stay well away, just incase,
I disappeared beneath and was never found
and please make sure no cats enter here,
for fear of sooty paws on precious linen
embroidered with love and sent from Ireland
or even worse that a dark corner inside,
was a more appealing option, than chilly winds,
for the feline call of nature
those who didn’t get prime position
in front of the open fire,
purred beneath the skirts of the loose covers
Winged chairs, drawn close for relaxation
and warmth, shared with a little girl
who jostled with the hearth rug cat.
No such joy with central heating,
faceless, invisible, and all at
the flick of a switch.
Little people still dance and sing
in my fire, kept alive by glorious
Silver Birch, stacked outside in a
log shelter, created by kind neighbours.
No coal shed connects to my kitchen,
just a faceless concrete bunker, that fills from
the top and seems to let in rain.
All essential to maintain
comfort and warmth and create a focal point
that visitors always envy.